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Olly wrote: We're still the bastard pirates of the duck forum world.
banknote wrote:So you could go the other way and put two reeds in a formerly single reed call to perhaps make it "easier" to call with? And by "easier," I'm assuming we mean that you can make adequate sounding calls with a less precise "blow?"
Olly wrote: We're still the bastard pirates of the duck forum world.
banknote wrote:I'm an amateur/hack guitarist/musician, and I've noticed a parallel between duck calls and musical instruments.
Olly wrote: We're still the bastard pirates of the duck forum world.
The Duck Hammer wrote:banknote wrote:I'm an amateur/hack guitarist/musician, and I've noticed a parallel between duck calls and musical instruments.
When OLT filed the original patent for the D-2 it was for a musical instrument and not for a duck call.
insaneduck wrote:I go single reed all the way but it is easiest to learn on a double because of how easy it is to use. Once you get the basic sound down in my honest opinion if you want to better yourself is to get a cut down of any type and learn how to make it sound like a duck. Even if you don't use it, it allows you to train yourself how to maintain enough air to do anything you want as well as the simple fact that if you can work a cut down then you can work any call there is. Thats the way I learned, I learned on a Hobo ICU2 and now I blow a cut down because of what it allows me to maintain as far as air and ability.
Fowlplay wrote:insaneduck wrote:I go single reed all the way but it is easiest to learn on a double because of how easy it is to use. Once you get the basic sound down in my honest opinion if you want to better yourself is to get a cut down of any type and learn how to make it sound like a duck. Even if you don't use it, it allows you to train yourself how to maintain enough air to do anything you want as well as the simple fact that if you can work a cut down then you can work any call there is. Thats the way I learned, I learned on a Hobo ICU2 and now I blow a cut down because of what it allows me to maintain as far as air and ability.
never tried a cut down but im really thinking of getting one before next season. alot of people going to em. i need to see what all the fuss is about
banknote wrote:So I've read a bit about the history of the cutdown (thanks AuntBetty.) I gather that it was post-market modifications to the tone board that made a call a "cutdown" call. So what makes a modern "cutdown style" call? Is it now just a certain shape/contour of the tone board? Are there actual specifications?
I'm confused.
Olly wrote: We're still the bastard pirates of the duck forum world.
The Duck Hammer wrote:banknote wrote:So I've read a bit about the history of the cutdown (thanks AuntBetty.) I gather that it was post-market modifications to the tone board that made a call a "cutdown" call. So what makes a modern "cutdown style" call? Is it now just a certain shape/contour of the tone board? Are there actual specifications?
I'm confused.
A modern cutdown is a D-2 style call that has a modified tone board. Some guys only classify a call as a true cutdown if it has been cut by hand not molded after a cut call. There are different styles of cuts that come from the regions that they worked in, like the Louisiana cut or the Arkansas cut.
banknote wrote:The Duck Hammer wrote:banknote wrote:So I've read a bit about the history of the cutdown (thanks AuntBetty.) I gather that it was post-market modifications to the tone board that made a call a "cutdown" call. So what makes a modern "cutdown style" call? Is it now just a certain shape/contour of the tone board? Are there actual specifications?
I'm confused.
A modern cutdown is a D-2 style call that has a modified tone board. Some guys only classify a call as a true cutdown if it has been cut by hand not molded after a cut call. There are different styles of cuts that come from the regions that they worked in, like the Louisiana cut or the Arkansas cut.
Got ya. So is there a standard for tone boards that are not cutdown? Or is the standard just the old out-of-the-box, uncut D-2 tone board? I gotta figure guys cutdown other style calls, too, yeah?
Olly wrote: We're still the bastard pirates of the duck forum world.
The Duck Hammer wrote:banknote wrote:The Duck Hammer wrote:banknote wrote:So I've read a bit about the history of the cutdown (thanks AuntBetty.) I gather that it was post-market modifications to the tone board that made a call a "cutdown" call. So what makes a modern "cutdown style" call? Is it now just a certain shape/contour of the tone board? Are there actual specifications?
I'm confused.
A modern cutdown is a D-2 style call that has a modified tone board. Some guys only classify a call as a true cutdown if it has been cut by hand not molded after a cut call. There are different styles of cuts that come from the regions that they worked in, like the Louisiana cut or the Arkansas cut.
Got ya. So is there a standard for tone boards that are not cutdown? Or is the standard just the old out-of-the-box, uncut D-2 tone board? I gotta figure guys cutdown other style calls, too, yeah?
A standard D-2 had a regular J Frame tone board one it, but due to them being made out of the hard rubber it was easy to cut/file them to fit your calling style. Guys started cutting their calls to get more bark or rasp to achieve the sound that ducks in their area would respond to the best. Cutting is becoming a lost art because many of the old cutters refused to teach others how to do what they did.
rebelp74 wrote:These show the toneboard in the video, not sure if it is enough to show what you are looking for though.
banknote wrote:rebelp74 wrote:These show the toneboard in the video, not sure if it is enough to show what you are looking for though.
Thanks for those. The visuals help a lot.
Tried a lot of cutdowns last season and I'm buying that.3geese4me wrote:Those BSOD calls sound pretty good.
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